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Friday, December 2, 2011
Saturday, November 26, 2011
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Late General Anurudha Rathwathe passed away
Re-narration by Anonymous in English targeting None of the above for this web page
Thursday, November 24, 2011
Wednesday, November 9, 2011
Tuesday, November 8, 2011
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In several developing economies, the top-down policies of market-ld communication.
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(IIACD) was started in May 2008 by an inter-disciplinary group with experti=
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Important details for fire safety
A fire department has fire-engines which help in extinguishing fire. The number to call them is 101
Re-narration by Arvind in English targeting None of the above for this web page
Monday, November 7, 2011
Sunday, November 6, 2011
Friday, November 4, 2011
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Another related consequence of the “creative industries” focus of the more empowered stakeholders has been a massive emphasis on indiscriminate digital archival and documentation of art and cultural heritage of India. As with other arenas of traditional knowledge there needs to be much more critical debate on the impacts of such archival viz., critical enquiry as to who the beneficiaries of such documentation, the quality and accuracy of curation and the social consequences of exposure of traditional intellectual property that has been protected by traditional means.
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The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment(authorization) and entitlements of indigenous(native) craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by shalini in English targeting Karnataka for this web page
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In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
Re-narration by shalini in English targeting Karnataka for this web page
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The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment(authorization) and entitlements of indigenous(native) craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by shalini in English targeting Karnataka for this web page
Thursday, November 3, 2011
Wednesday, November 2, 2011
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Sample Top
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Tuesday, November 1, 2011
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Revision of
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test test test
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Monday, October 31, 2011
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se
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Open your eyes
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Open your eyes.
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Open your eye
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Testing blank author with RegExp
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Sample Topicssss... with null author
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Sample Topicssss.... with null author
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Author testing with single space...
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Sample Topicsssss... testing
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By dragging
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ಅಂತಾರಾಷ್ಟ್ರೀಯ
ಕಲೆ, ಸಂಸ್ಕೃತಿ ಮತ್ತು ಪ್ರಜಾಪ್ರಭುತ್ವ ಸಂಸ್ಥೆ.
(ಐಐಎಸಿಡಿ) ಮಾನವ ವಿನ್ಯಾಸಶಾಸ್ತ್ರ, ಹೊಸ ಮಾಧ್ಯಮ ಕಲೆ, ತಂತ್ರಜ್ಞಾನ ಮತ್ತು ಕಲಾ ಇತಿಹಾಸ ಪರಿಣತಿಯನ್ನು ಒಂದು ಅಂತರ್ ಶಿಸ್ತಿನ ಗುಂಪು ಮೇ 2008 ರಲ್ಲಿ ಪ್ರಾರಂಭಿಸಿತು. ಸಂಸ್ಥೆಯು ಸಾಮಾನ್ಯ ದೃಷ್ಟಿ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಪ್ರಜಾಪ್ರಭುತ್ವದ ಕಾರ್ಯಕ್ರಮಗಳ ವಕಾಲತ್ತನ್ನು ಹಂಚಿಕೊಂಡಿದೆ.
ಹಲವಾರು ಅಭಿವೃದ್ಧಿ ಹೊಂದುತ್ತಿರುವ ಆರ್ಥಿಕತೆಗಳಲ್ಲಿ, ಸಾಂಸ್ಕೃತಿಕ ರಾಜಧಾನಿ ಮಾರುಕಟ್ಟೆ ನೇತೃತ್ವದ ಪುನರುತ್ಥಾನ ನೀತಿಗಳ ಪರಿಶೀಲನೆ ಅಗತ್ಯ. ಸಾಮಾಜಿಕ ಸೇರ್ಪಡೆ, ಮಾತುಗಾರಿಕೆ ಸಂಸ್ಕೃತಿಯ ಅಂಚಿನಲ್ಲಿರುವ ಧಾರಿಗಳಲ್ಲಿ ಸಹ-ಆಯ್ಕೆಯಾಗಳು ಸ್ಪಷ್ಟವಾಗಿ ಕಾಣಿಸುತ್ತದೆ ಯಾವ ಬದಲಿಗೆ ಅಗತ್ಯವಿದೆ ಸಕ್ರಿಯವಾಗಿ ಪ್ರಜಾಪ್ರಭುತ್ವದ ಭಾಗವಹಿಸುವಿಕೆ ಮತ್ತು ಸಂವಹನ ಉತ್ತೇಜಿಸುವ ಕಾರ್ಯಸೂಚಿ ಇದೆ.
ಭಾರತದ ಸಂದರ್ಭದಲ್ಲಿ ನಾವು ರಾಜ್ಯ, ಅಂತಾರಾಷ್ಟ್ರೀಯ ಹಣ ಸಂಸ್ಥೆಗಳು ಹಾಗೂ (ಎನ್ ಜಿ ಒ) ಸ್ವೀಕರಿಸುವವರನ್ನು ಸಮೂಹಗಳು ಜೀವನಾಧಾರ ಕಾಳಜಿ ಉದ್ದೇಶಿಸಿ ಅಭಿವೃದ್ಧಿ ವಿಧಾನಗಳೆಂದು ಸೃಜನಶೀಲ ಉದ್ಯಮಗಳು ಗಮನ ನೋಡಿ. ಈ ಗಮನವು ಒಂದು "ವಿನ್ಯಾಸಕ" ಮಧ್ಯಪ್ರವೇಶ ಸಂಖ್ಯೆಯನ್ನು ಹಾಗೆಯೇ (ಎನ್ ಜಿ ಒ) ಕಾರಣವಾಯಿತು ಉದ್ಯಮಶೀಲ ಕಾರ್ಯಕ್ರಮಗಳಿಗೆ ಅನುವಾದಿಸಿದೆ. ಅಧಿಕೃತ ಸ್ಥಿತಿ ಮತ್ತು ದೇಶೀಯ ಕುಶಲಕರ್ಮಿಗಳಿಂದ ತಮ್ಮ ಸಮುದಾಯಗಳ ಸೃಜನಾತ್ಮಕ ಸಾಂಸ್ಕೃತಿಕ ಸ್ವತ್ತುಗಳ ಧಾರಿಗಳಲ್ಲಿ ಹೆಚ್ಚಾಗಿ ನಿರ್ಲಕ್ಷಿಸಲಾಗಿದೆ..
ಹೆಚ್ಚು ಅಧಿಕಾರವನ್ನು ನೀಡುತ್ತಾನೆ ಮಧ್ಯಸ್ಥಗಾರರ "ಸೃಜನಶೀಲ ಕೈಗಾರಿಕೆಗಳು" ಗಮನ ಮತ್ತೊಂದು ಸಂಬಂಧಿತ ಪರಿಣಾಮವಾಗಿ ಭಾರತದ ಸ್ವಚ್ಛಂದ ದಾಖಲೆ ಸಂಗ್ರಹದ ಮತ್ತು ದಸ್ತಾವೇಜನ್ನು ಕಲೆ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಪರಂಪರೆಯ ಮೇಲೆ ಭಾರೀ ಮಹತ್ವ ಪಡೆದಿದೆ. ಸಾಂಪ್ರದಾಯಿಕ ಜ್ಞಾನ ಇತರ ರಂಗದಲ್ಲಿ ಜೊತೆಗೆ ಅಂತಹ ದಾಖಲೆ ಸಂಗ್ರಹದ ಎಂದರೆ ಪ್ರಭಾವಗಳ ಮೇಲೆ ಹೆಚ್ಚು ವಿಮರ್ಶಾತ್ಮಕ ಚರ್ಚೆ ಇರಬೇಕು., ಒಂದು ನಿರ್ಣಾಯಕ ವಿಚಾರಣೆಯ ಇಂಥ ದಸ್ತಾವೇಜುಗಳು, ಗುಣಮಟ್ಟ ಮತ್ತು ನಿಖರತೆಯನ್ನು ಮತ್ತು ಸಾಂಪ್ರದಾಯಿಕ ಬೌದ್ಧಿಕ ಬೆಳಕಿಗೆ ಸಾಮಾಜಿಕ ಪರಿಣಾಮಗಳ ಫಲಾನುಭವಿಗಳು ಸಾಂಪ್ರದಾಯಿಕ ಮೂಲಕ ಸುರಕ್ಷಿತ ಎಂದು ಆಸ್ತಿ.
ಸಾರಾಂಶ ಐಐಎಸಿಡಿ ( ಶೈಕ್ಷಣಿಕ ಕಾರ್ಯಕ್ರಮಗಳು, ಬಿಳಿ ಕಾಗದಗಳು, ಕಾರ್ಯಾಗಾರಗಳು) ಬೌದ್ಧಿಕ ಚಟುವಟಿಕೆಗಳ ಮೂಲಕ ಅಪ್ಪಟ ಸಾಂಸ್ಕೃತಿಕ ಪ್ರಜಾಪ್ರಭುತ್ವ ಕಾರಣ ಮುಂದುವರಿಸುವ ತಾನೇ ಅರ್ಪಿಸಿ ತಿನ್ನುವೆ ನೇರವಾಗಿ ಅಧಿಕೃತ ಸ್ಥಿತಿ ಮತ್ತು ಕೊಡುಗೆಯ ಅಭಿವ್ಯಕ್ತಿಶೀಲ ಕ್ರಮ ಸಂಭಾಷಣೆ (ಸಾಂಸ್ಕೃತಿಕ ಅಂತರ), ಮತ್ತು ಕಾರ್ಯಕ್ರಮಗಳು ಕಲೆ ಮತ್ತು ಸಂಸ್ಕೃತಿಯ ಧಾರಿಗಳಲ್ಲಿ ಕೊಡುಗೆಯಾಗಿದೆ..
Re-narration by Pradeep in Kannada targeting Karnataka for this web page
Sunday, October 30, 2011
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Test for empty string.
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Saturday, October 29, 2011
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Topicssss
About what??
Sign In where??
Credit for me :)
Contact you partner
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Friday, October 28, 2011
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Aboutttt
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Extrasss
Bangalore
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धूम्रपान शरीर के अंदर और बाहर दोनों को प्रभावित करता है, इन प्रभावों में से कुछ तत्काल रहे हैं और दूसરેં बाद में धूम्रपान करनेवाले के जीवन में हो सकता है. धूम्रपान के परिणामों में से कुछ हैं:.
दृष्टिहीनता Blindness
बांझपन और नपुंसकता Infertility and impotence
स्ट्रोक Stroke
हृदय रोग और धमनियों की अन्य बीमारियों Cardiovascular disease and other diseases of the arteries
गैंग्रीन, जिसके परिणामस्वरूप अक्सर अंगों के नुकसान Gangrene, often resulting in the loss of limbs
विभिन्न कैंसर, विशेष रूप से फेफड़ों के कैंसर Various cancers, especially lung cancer
मस्तिष्क और हृदय को कम ऑक्सीजन Less oxygen to the brain and heart
सांस की तकलीफ Shortness of breath
वृद्धि रक्तचाप Increased blood pressure
मसूडे के रोग Gum disease
बदबूदार सांस और दाग दाँत Smelly breath and stained teeth
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ધુમ્રપાન શરીર ની અંદર અને બહાર બંને રીતે અસર કરે છે; આમાંની કેટલીક અસરો તાત્કાલિક છે અને અન્ય અસરો બાદમાં ધુમ્રપાન કરનારના જીવનમાં થઈ શકે છે. ધુમ્રપાનના કેટલાક પરિણામ :
આંધળાપણુ (બ્લાઇન્ડનેસ) Blindness
વંધ્યત્વ અને નપુંસકતા Infertility and impotence
લકવો Sroke
લકવો Stroke
કાર્ડિયોવેસ્ક્યુલર રોગ અને ધમનીઓના અન્ય રોગો Cardiovascular disease and other diseases of the arteries
શરીરના કોઈ ભાગમાં થયેલો સડો, ઘણી વખત અંગો નાશમાં પરિણમે છે Gangrene, often resulting in the loss of limbs
વિવિધ કેન્સર, ખાસ કરીને ફેફસાનું કેન્સર Various cancers, especially lung cancer
મગજ અને હૃદય માટે ઓછો ઓક્સિજન Less oxygen to the brain and heart
શ્વાસની તકલીફ Shortness of breath
રક્ત દબાણમાં વધારો Increased blood pressure
પેઢાના રોગ Gum disease
શ્વાસમાં દુર્ગંધ અને રંગીન દાંત Smelly breath and stained teeth
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NewsRacksss
Sample
Topics with an Indian Focus
Abouttt
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भारतीय हस्तशिल्प की अवधारणा (विचार) सबसे पुरानी Harrappan सभ्यता और सिंधु घाटी सभ्यताओं में से उभरा है. भारत हस्तशिल्प उद्योग द्वारा अनन्य नक्काशीदार वस्तुओं जॊ विशाल सांस्कृतिक और जातीय विविधता के कारण अद्वितीय विषयों, तकनीक, और शिल्प की एक सरणी आत्मसात कराती है.. भारत के हस्तशिल्प उद्योग दुनिया भर में अपनी अनोखी अपील के लिए भारत की समृद्ध और सांस्कृतिक विरासत के रूप में लोकप्रिय है. भारत के हस्तशिल्प अपनी कृतियों में पीतल, धातु, लकड़ी, पत्थर, और मोती का उपयॊग करके श्रेष्ट कृति से लेकर सादे घरेलू वस्तुओं को बनाते है.
पेंटिंग्स, फर्नीचर, मूर्तियां, कृत्रिम गहने, पशुओं के आंकड़े, देवी - देवताओं की मूर्तियों, टोकरियाँ, और कई और अधिक आइटम को भारत का गौरव के रूप में बधाई दी गई है.
स्थानीय बाजार में व्यापार के अलावा, भारतीय हस्तशिल्प दुनिया भर में भी निर्यात हो रहे हैं. कला का हर काम कारीगरों की कुशलता और भावनाओं को दर्शाता है, जिससे वो काम सजावट के अलावा दिलस्पर्श बन जाता है.
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Tuesday, October 25, 2011
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FIRE SsdfAFETY
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ಅಂತಾರಾಷ್ಟ್ರೀಯ ಕಲೆ, ಸಂಸ್ಕೃತಿ ಮತ್ತು ಪ್ರಜಾಪ್ರಭುತ್ವ ಸಂಸ್ಥೆ (ಐಐಎಸಿಡಿ) ಮಾನವ ವಿನ್ಯಾಸಶಾಸ್ತ್ರ, ಹೊಸ ಮಾಧ್ಯಮ ಕಲೆ, ತಂತ್ರಜ್ಞಾನ ಮತ್ತು ಕಲಾ ಇತಿಹಾಸ ಪರಿಣತಿಯನ್ನು ಒಂದು ಅಂತರ್ ಶಿಸ್ತಿನ ಗುಂಪು ಮೇ 2008 ರಲ್ಲಿ ಪ್ರಾರಂಭಿಸಿತು. ಸಂಸ್ಥೆಯು ಸಾಮಾನ್ಯ ದೃಷ್ಟಿ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಪ್ರಜಾಪ್ರಭುತ್ವದ ಕಾರ್ಯಕ್ರಮಗಳ ವಕಾಲತ್ತನ್ನು ಹಂಚಿಕೊಂಡಿದೆ. ಹಲವಾರು ಅಭಿವೃದ್ಧಿ ಹೊಂದುತ್ತಿರುವ ಆರ್ಥಿಕತೆಗಳಲ್ಲಿ, ಸಾಂಸ್ಕೃತಿಕ ರಾಜಧಾನಿ ಮಾರುಕಟ್ಟೆ ನೇತೃತ್ವದ ಪುನರುತ್ಥಾನ ನೀತಿಗಳ ಪರಿಶೀಲನೆ ಅಗತ್ಯ. ಸಾಮಾಜಿಕ ಸೇರ್ಪಡೆ, ಮಾತುಗಾರಿಕೆ ಸಂಸ್ಕೃತಿಯ ಅಂಚಿನಲ್ಲಿರುವ ಧಾರಿಗಳಲ್ಲಿ ಸಹ-ಆಯ್ಕೆಯಾಗಳು ಸ್ಪಷ್ಟವಾಗಿ ಕಾಣಿಸುತ್ತದೆ ಯಾವ ಬದಲಿಗೆ ಅಗತ್ಯವಿದೆ ಸಕ್ರಿಯವಾಗಿ ಪ್ರಜಾಪ್ರಭುತ್ವದ ಭಾಗವಹಿಸುವಿಕೆ ಮತ್ತು ಸಂವಹನ ಉತ್ತೇಜಿಸುವ ಕಾರ್ಯಸೂಚಿ ಇದೆ. ಭಾರತದ ಸಂದರ್ಭದಲ್ಲಿ ನಾವು ರಾಜ್ಯ, ಅಂತಾರಾಷ್ಟ್ರೀಯ ಹಣ ಸಂಸ್ಥೆಗಳು ಹಾಗೂ (ಎನ್ ಜಿ ಒ) ಸ್ವೀಕರಿಸುವವರನ್ನು ಸಮೂಹಗಳು ಜೀವನಾಧಾರ ಕಾಳಜಿ ಉದ್ದೇಶಿಸಿ ಅಭಿವೃದ್ಧಿ ವಿಧಾನಗಳೆಂದು ಸೃಜನಶೀಲ ಉದ್ಯಮಗಳು ಗಮನ ನೋಡಿ. ಈ ಗಮನವು ಒಂದು "ವಿನ್ಯಾಸಕ" ಮಧ್ಯಪ್ರವೇಶ ಸಂಖ್ಯೆಯನ್ನು ಹಾಗೆಯೇ (ಎನ್ ಜಿ ಒ) ಕಾರಣವಾಯಿತು ಉದ್ಯಮಶೀಲ ಕಾರ್ಯಕ್ರಮಗಳಿಗೆ ಅನುವಾದಿಸಿದೆ. ಅಧಿಕೃತ ಸ್ಥಿತಿ ಮತ್ತು ದೇಶೀಯ ಕುಶಲಕರ್ಮಿಗಳಿಂದ ತಮ್ಮ ಸಮುದಾಯಗಳ ಸೃಜನಾತ್ಮಕ ಸಾಂಸ್ಕೃತಿಕ ಸ್ವತ್ತುಗಳ ಧಾರಿಗಳಲ್ಲಿ ಹೆಚ್ಚಾಗಿ ನಿರ್ಲಕ್ಷಿಸಲಾಗಿದೆ..ಹೆಚ್ಚು ಅಧಿಕಾರವನ್ನು ನೀಡುತ್ತಾನೆ ಮಧ್ಯಸ್ಥಗಾರರ "ಸೃಜನಶೀಲ ಕೈಗಾರಿಕೆಗಳು" ಗಮನ ಮತ್ತೊಂದು ಸಂಬಂಧಿತ ಪರಿಣಾಮವಾಗಿ ಭಾರತದ ಸ್ವಚ್ಛಂದ ದಾಖಲೆ ಸಂಗ್ರಹದ ಮತ್ತು ದಸ್ತಾವೇಜನ್ನು ಕಲೆ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಪರಂಪರೆಯ ಮೇಲೆ ಭಾರೀ ಮಹತ್ವ ಪಡೆದಿದೆ. ಸಾಂಪ್ರದಾಯಿಕ ಜ್ಞಾನ ಇತರ ರಂಗದಲ್ಲಿ ಜೊತೆಗೆ ಅಂತಹ ದಾಖಲೆ ಸಂಗ್ರಹದ ಎಂದರೆ ಪ್ರಭಾವಗಳ ಮೇಲೆ ಹೆಚ್ಚು ವಿಮರ್ಶಾತ್ಮಕ ಚರ್ಚೆ ಇರಬೇಕು., ಒಂದು ನಿರ್ಣಾಯಕ ವಿಚಾರಣೆಯ ಇಂಥ ದಸ್ತಾವೇಜುಗಳು, ಗುಣಮಟ್ಟ ಮತ್ತು ನಿಖರತೆಯನ್ನು ಮತ್ತು ಸಾಂಪ್ರದಾಯಿಕ ಬೌದ್ಧಿಕ ಬೆಳಕಿಗೆ ಸಾಮಾಜಿಕ ಪರಿಣಾಮಗಳ ಫಲಾನುಭವಿಗಳು ಸಾಂಪ್ರದಾಯಿಕ ಮೂಲಕ ಸುರಕ್ಷಿತ ಎಂದು ಆಸ್ತಿ. ಸಾರಾಂಶ ಐಐಎಸಿಡಿ ( ಶೈಕ್ಷಣಿಕ ಕಾರ್ಯಕ್ರಮಗಳು, ಬಿಳಿ ಕಾಗದಗಳು, ಕಾರ್ಯಾಗಾರಗಳು) ಬೌದ್ಧಿಕ ಚಟುವಟಿಕೆಗಳ ಮೂಲಕ ಅಪ್ಪಟ ಸಾಂಸ್ಕೃತಿಕ ಪ್ರಜಾಪ್ರಭುತ್ವ ಕಾರಣ ಮುಂದುವರಿಸುವ ತಾನೇ ಅರ್ಪಿಸಿ ತಿನ್ನುವೆ ನೇರವಾಗಿ ಅಧಿಕೃತ ಸ್ಥಿತಿ ಮತ್ತು ಕೊಡುಗೆಯ ಅಭಿವ್ಯಕ್ತಿಶೀಲ ಕ್ರಮ ಸಂಭಾಷಣೆ (ಸಾಂಸ್ಕೃತಿಕ ಅಂತರ), ಮತ್ತು ಕಾರ್ಯಕ್ರಮಗಳು ಕಲೆ ಮತ್ತು ಸಂಸ್ಕೃತಿಯ ಧಾರಿಗಳಲ್ಲಿ ಕೊಡುಗೆಯಾಗಿದೆ...
Re-narration by undefined in Kannada targeting Karnataka for this web page
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ಅಂತಾರಾಷ್ಟ್ರೀಯ
ಕಲೆ, ಸಂಸ್ಕೃತಿ ಮತ್ತು ಪ್ರಜಾಪ್ರಭುತ್ವ ಸಂಸ್ಥೆ (ಐಐಎಸಿಡಿ) ಮಾನವ ವಿನ್ಯಾಸಶಾಸ್ತ್ರ, ಹೊಸ ಮಾಧ್ಯಮ ಕಲೆ, ತಂತ್ರಜ್ಞಾನ ಮತ್ತು ಕಲಾ ಇತಿಹಾಸ ಪರಿಣತಿಯನ್ನು ಒಂದು ಅಂತರ್ ಶಿಸ್ತಿನ ಗುಂಪು ಮೇ 2008 ರಲ್ಲಿ ಪ್ರಾರಂಭಿಸಿತು. ಸಂಸ್ಥೆಯು ಸಾಮಾನ್ಯ ದೃಷ್ಟಿ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಪ್ರಜಾಪ್ರಭುತ್ವದ ಕಾರ್ಯಕ್ರಮಗಳ ವಕಾಲತ್ತನ್ನು ಹಂಚಿಕೊಂಡಿದೆ. ಹಲವಾರು ಅಭಿವೃದ್ಧಿ ಹೊಂದುತ್ತಿರುವ ಆರ್ಥಿಕತೆಗಳಲ್ಲಿ, ಸಾಂಸ್ಕೃತಿಕ ರಾಜಧಾನಿ ಮಾರುಕಟ್ಟೆ ನೇತೃತ್ವದ ಪುನರುತ್ಥಾನ ನೀತಿಗಳ ಪರಿಶೀಲನೆ ಅಗತ್ಯ. ಸಾಮಾಜಿಕ ಸೇರ್ಪಡೆ, ಮಾತುಗಾರಿಕೆ ಸಂಸ್ಕೃತಿಯ ಅಂಚಿನಲ್ಲಿರುವ ಧಾರಿಗಳಲ್ಲಿ ಸಹ-ಆಯ್ಕೆಯಾಗಳು ಸ್ಪಷ್ಟವಾಗಿ ಕಾಣಿಸುತ್ತದೆ ಯಾವ ಬದಲಿಗೆ ಅಗತ್ಯವಿದೆ ಸಕ್ರಿಯವಾಗಿ ಪ್ರಜಾಪ್ರಭುತ್ವದ ಭಾಗವಹಿಸುವಿಕೆ ಮತ್ತು ಸಂವಹನ ಉತ್ತೇಜಿಸುವ ಕಾರ್ಯಸೂಚಿ ಇದೆ. ಭಾರತದ ಸಂದರ್ಭದಲ್ಲಿ ನಾವು ರಾಜ್ಯ, ಅಂತಾರಾಷ್ಟ್ರೀಯ ಹಣ ಸಂಸ್ಥೆಗಳು ಹಾಗೂ (ಎನ್ ಜಿ ಒ) ಸ್ವೀಕರಿಸುವವರನ್ನು ಸಮೂಹಗಳು ಜೀವನಾಧಾರ ಕಾಳಜಿ ಉದ್ದೇಶಿಸಿ ಅಭಿವೃದ್ಧಿ ವಿಧಾನಗಳೆಂದು ಸೃಜನಶೀಲ ಉದ್ಯಮಗಳು ಗಮನ ನೋಡಿ. ಈ ಗಮನವು ಒಂದು "ವಿನ್ಯಾಸಕ" ಮಧ್ಯಪ್ರವೇಶ ಸಂಖ್ಯೆಯನ್ನು ಹಾಗೆಯೇ (ಎನ್ ಜಿ ಒ) ಕಾರಣವಾಯಿತು ಉದ್ಯಮಶೀಲ ಕಾರ್ಯಕ್ರಮಗಳಿಗೆ ಅನುವಾದಿಸಿದೆ. ಅಧಿಕೃತ ಸ್ಥಿತಿ ಮತ್ತು ದೇಶೀಯ ಕುಶಲಕರ್ಮಿಗಳಿಂದ ತಮ್ಮ ಸಮುದಾಯಗಳ ಸೃಜನಾತ್ಮಕ ಸಾಂಸ್ಕೃತಿಕ ಸ್ವತ್ತುಗಳ ಧಾರಿಗಳಲ್ಲಿ ಹೆಚ್ಚಾಗಿ ನಿರ್ಲಕ್ಷಿಸಲಾಗಿದೆ..
ಹೆಚ್ಚು ಅಧಿಕಾರವನ್ನು ನೀಡುತ್ತಾನೆ ಮಧ್ಯಸ್ಥಗಾರರ "ಸೃಜನಶೀಲ ಕೈಗಾರಿಕೆಗಳು" ಗಮನ ಮತ್ತೊಂದು ಸಂಬಂಧಿತ ಪರಿಣಾಮವಾಗಿ ಭಾರತದ ಸ್ವಚ್ಛಂದ ದಾಖಲೆ ಸಂಗ್ರಹದ ಮತ್ತು ದಸ್ತಾವೇಜನ್ನು ಕಲೆ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಪರಂಪರೆಯ ಮೇಲೆ ಭಾರೀ ಮಹತ್ವ ಪಡೆದಿದೆ. ಸಾಂಪ್ರದಾಯಿಕ ಜ್ಞಾನ ಇತರ ರಂಗದಲ್ಲಿ ಜೊತೆಗೆ ಅಂತಹ ದಾಖಲೆ ಸಂಗ್ರಹದ ಎಂದರೆ ಪ್ರಭಾವಗಳ ಮೇಲೆ ಹೆಚ್ಚು ವಿಮರ್ಶಾತ್ಮಕ ಚರ್ಚೆ ಇರಬೇಕು., ಒಂದು ನಿರ್ಣಾಯಕ ವಿಚಾರಣೆಯ ಇಂಥ ದಸ್ತಾವೇಜುಗಳು, ಗುಣಮಟ್ಟ ಮತ್ತು ನಿಖರತೆಯನ್ನು ಮತ್ತು ಸಾಂಪ್ರದಾಯಿಕ ಬೌದ್ಧಿಕ ಬೆಳಕಿಗೆ ಸಾಮಾಜಿಕ ಪರಿಣಾಮಗಳ ಫಲಾನುಭವಿಗಳು ಸಾಂಪ್ರದಾಯಿಕ ಮೂಲಕ ಸುರಕ್ಷಿತ ಎಂದು ಆಸ್ತಿ. ಸಾರಾಂಶ ಐಐಎಸಿಡಿ ( ಶೈಕ್ಷಣಿಕ ಕಾರ್ಯಕ್ರಮಗಳು, ಬಿಳಿ ಕಾಗದಗಳು, ಕಾರ್ಯಾಗಾರಗಳು) ಬೌದ್ಧಿಕ ಚಟುವಟಿಕೆಗಳ ಮೂಲಕ ಅಪ್ಪಟ ಸಾಂಸ್ಕೃತಿಕ ಪ್ರಜಾಪ್ರಭುತ್ವ ಕಾರಣ ಮುಂದುವರಿಸುವ ತಾನೇ ಅರ್ಪಿಸಿ ತಿನ್ನುವೆ ನೇರವಾಗಿ ಅಧಿಕೃತ ಸ್ಥಿತಿ ಮತ್ತು ಕೊಡುಗೆಯ ಅಭಿವ್ಯಕ್ತಿಶೀಲ ಕ್ರಮ ಸಂಭಾಷಣೆ (ಸಾಂಸ್ಕೃತಿಕ ಅಂತರ), ಮತ್ತು ಕಾರ್ಯಕ್ರಮಗಳು ಕಲೆ ಮತ್ತು ಸಂಸ್ಕೃತಿಯ ಧಾರಿಗಳಲ್ಲಿ ಕೊಡುಗೆಯಾಗಿದೆ..
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A fire department or fire brigade is a public or private organization that provides fire protection for a certain bgbgrbtbtbgbrgvrvrvjurisdiction, which typically is a municipality, county, or fire protection district. A fire department usually contains one or more fire stations within its boundaries, and may be staffed by career firefighters, volunteers, or a combination thereof.
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Test.
176x153,http://t3.gstatic.com/images?q=tbn:ANd9GcRLZV-OnBymnrug7-LxCqnsgUqUt5AlJQvN2sSkCusEMISM7wmmCA
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176x153,http://t3.gstatic.com/images?q=tbn:ANd9GcRLZV-OnBymnrug7-LxCqnsgUqUt5AlJQvN2sSkCusEMISM7wmmCA
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The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by a group who have specialised knowledge in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.In several developing economies, the need within the market for cultural capital needs a careful examination. The agenda of social inclusion of bearers of culture should actively promote democratic participation and communication.In the context of India we see state, international funding agencies and NGO recipients focus on creative industries concerning to their community growth. This focus has translated to a number of "designer" interventions as well as "corporatization" of NGO led entrepreneurial programs. The authorization and entitlements of native craftspeople and their communitites, bearers of creative cultural assests, have been largely ignored.
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176x153,http://t3.gstatic.com/images?q=tbn:ANd9GcRLZV-OnBymnrug7-LxCqnsgUqUt5AlJQvN2sSkCusEMISM7wmmCA
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Monday, October 24, 2011
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http://team.servelots.com/my/amra/Min_weg.ogg
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http://sound26.mp3pk.com/indian/rockstar/rockstar02%28www.songs.pk%29.mp3
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acy for cultural democracy.
The International Institute for Art, Culture and Democracy.
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(IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy. The International Institute for Art, Culture and DemocracyIn several developing economies, the top-down policies of market-led regeneration of cultural capital need a careful examination, which requires an agenda that actively promotes democratic participation and communication.In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by undefined in English targeting None of the above for this web page
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The International Institute for Art,Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.In several developing economies, the top-down policies of market-led regeneration of cultural capital need a careful examination, which requires an agenda that actively promotes democratic participation and communication.In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by undefined in English targeting None of the above for this web page
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The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.In several developing economies, the top-down policies of market-led regeneration of cultural capital need a careful examination, which requires an agenda that actively promotes democratic participation and communication.In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by undefined in English targeting None of the above for this web page
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The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.In several developing economies, the top-down policies of market-led regeneration of cultural capital need a careful examination, which requires an agenda that actively promotes democratic participation and communication.In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by undefined in English targeting None of the above for this web page
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The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.In several developing economies, the top-down policies of market-led regeneration of cultural capital need a careful examination, which requires an agenda that actively promotes democratic participation and communication.In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
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The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.In several developing economies, the top-down policies of market-led regeneration of cultural capital need a careful examination, which requires an agenda that actively promotes democratic participation and communication.In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored..
(IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.In several developing economies, the top-down policies of market-led regeneration of cultural capital need a careful examination, which requires an agenda that actively promotes democratic participation and communication.In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored..
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In several developing economies, the top-down policies of market-led regeneration of cultural capital need a careful examination. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
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Pink Floyd
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HomSJfhe
Sign mzsgbIn
Registlgdzflghjher
Browsklgdmbnhse
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Sunday, October 23, 2011
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Hari Puttar
Bangalore Metrorail - success
Bengaluru
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Something simple and more to kannada speakers.
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Esvdzxcvsvmployment Guarantee
EIAzdfvdfdvzfs
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Adivzcvvvvasi
AxdAEFdsvDB
Acts & Billssdsdf (Central)
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EmsDsfsdFsdfployment Guarantee
EmsDFsdfployment Guarantee
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Widely topics with an Indian focus
Topics with an Indian focus
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Saturday, October 22, 2011
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Emffployment Guarantee
EIAfgfs
ESGfgf in the news
Emffffployment Guarantee
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Empddfddloyment Guarantee
ESG idfdn the news
Empddloyment Guarantee
EIsdfdfAs
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EIdfdfdAs
EIdfdfddfdfdAs
EIdfddfdfddfdfdAs
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ABIsdsdssDe-Bangalore
ABIsdsdsdsdsssDe-Bangalore
ABIsdsdsdsdsdssdsdsssDe-Bangalore
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ESG in the nfdfdews
Employmdfdfdent Guarantee
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Harsdsdry Potter
NewsRacsddsk
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Gdfdfodhra
FM Rdfdadio
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Employment Gdfdfduarantee
ESG in the dfdfnews
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Nadfdrmada Rehab
Nadfddfdrmada Rehab
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Hsdsdasiru Usiru
Hsdfdfdsdasiru Usiru
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Employment cvccvGuarantee
Employment cvdddfdccvGuarantee
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EIdfdfAs
EIdfdfdfdfAs
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Fazdcdcfdke Encounters
Empldfdoyment Guarantee
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Airlines & Airposdsdrts
Airlines & Airpoddssdsdrts
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India Social Fzdfzsfsorum
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edfdsGreen Hunt
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Airlines dfdd& Airports
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Abcdef
Extabced
Abcdekfhsfkjldhf
Extabcspfjdsfksdkjed
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